They haven't thought their actions through-and neither have the filmmakers.īut there's noise.
WITCH WHICH FULL
In Blair Witch, everyone's running full speed into the darkness, usually in search of someone else who's done the same stupid thing. When Heather finally dashes into the woods in The Blair Witch Project, it's a moment of heart-stopping recklessness, like she's grown desperate enough to hurl herself into the void. The last half is a panicked free-for-all, with no pauses in the action once night permanently falls and very few sequences that have been choreographed with a mind toward building suspense. Or, alternately, the Blair Witch will pick them off one by one and leave their fancy cameras for other yokels to find. Their plan seems to be to wander around in the forest until they get there, at which point some positive, edifying occurrence will surely happen. They have no solid plan for finding the dreaded house, which the search team never confirmed existed. (James would have barely been potty-trained the year his sister disappeared, but it's best to accept the premise at face value.) The quartet becomes a sextet when they allow two locals to join the search and all of them set out with shitty tents and an arsenal of technical equipment: walkie-talkies, earpiece cameras, a long-lens Canon, an older-model DV cam, even a phone-operated drone. The characters haven't thought their actions through-and neither have the filmmakers.īlair Witch finds Heather's little brother James (James Allen McCune) dragging three of his friends to the woods outside Burkittsville, Maryland to find the house where she may or may not have died.
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